The French philosopher Foucault once emphasized that the most appropriate way to understand society is war. As one of the representative writers of postmodernism in the United States, Kurt Vonnegut (1922-2007) creatively used science fiction elements in his representative work "Slaughterhouse No. 5", and used the protagonist Billy to break through the space limitation. The journey reveals the cruelty of war, the absurdity of the world, and the morbid social phenomena such as panic after the rational principle is broken. "Indeed, the conclusion is beyond doubt that Billy's space travel was a mode of escape." While Americans are proud of their democracy, prosperity, liberty, and rights, social problems of all kinds need to be addressed, abuses of power , out-of-control technology, rampant violence, and indifferent emotions all show the alienation of postmodern social order. Facing the extremely terrifying life epitomized by "World War II", especially the bombing of Dresden, Germany, Billy "escaped" to Volkswagen Star 541, an alien planet without war and death in his eyes. "Escape" is a common theme in American literature, such as escaping into nature, into the west, into death, into nothingness, etc.; 'escape' means escaping from painful and unsatisfactory reality and into a utopian ideal world. "Imagination is the only way for us to escape. Where do we escape? To what is called the good—perhaps a better life, or a better place." Billy travels through space temporarily in the novel Get rid of the painful alienation predicament. Escape from the side reflects Vonnegut's observation of the alienation dilemma in postmodern society, and expresses the author's ultimate humanitarian concern for postmodern human living conditions and life forms.
Escape One: Alienation between Man and Society
In the first half of the 19th century, with the development of industrialization in the post-Civil War America, free competitive capitalism slowly transitioned to monopoly capitalism, and wealth and power were concentrated in the hands of a few financial giants. The self-reliance that Emerson preached evolved into a cult of ambition, a lust for money and power. From Bentham's utilitarian point of view, individuals lose their economic virtues in the enjoyment of wealth, and the "emptiness" of the subject itself disintegrates the original value ethics and is completely materialized.
Kurt Vonnegut
Behind the apparent economic prosperity lies misery and misfortune, and individual lives are filled with a strong sense of disillusionment and frustration. In the novel Slaughterhouse Five, a German major during the war tries to explain Americans' lack of discipline and self-esteem through a report written by American Nazi Campbell: Americans mistakenly believe that the rich get rich easily and the poor It failed because of its own stupidity; the U.S. military gave soldiers poor uniforms, while officers from the wealthy class were well-dressed, fueling the self-hatred of the poor. Apparently, Vonnegut intends here to "make the most direct attack on the American class system and the wealth myth that underpins it." The American Dream used to be an American obsession, but with the development of technology and people's increasing dependence on it, political problems have arisen, because this dependence requires a certain social cost. With the advent of war, the role of science and technology in national security issues has been greatly enhanced, and a lot of resources have been devoted to expensive weapons research, which deviates from the goal of the capitalist welfare state. For most ordinary people, the American Dream has become out of reach. In the novel, a large number of soldiers who survived the war and returned to China suffered heavy physical and mental injuries, but after returning to China, they found that they had become the bottom of the society and were facing unemployment. As a result, many disabled veterans make a living by rhetoric and deceit. The protagonist, Billy, sacrifices his marital happiness in exchange for a prosperous life, but the pain in his marriage makes him unbearable. This reveals the devastation to the masses by the highly institutionalized and centralized bureaucracy under the banner of American democracy and freedom. Social ecologist Bookkin argues: “If we do not see capitalism upending a fundamental dimension of the traditional social composition—the wholeness of the human community—we will grossly underestimate its unprecedented destructive role. . . . Community begins to disappear, capitalism invades and destroys the realm of social life."
Through time travel, Vonnegut juxtaposed the Allied bombing of Dresden during World War II with the Vietnam War, in order to subvert the so-called "justice" of war instilled in the American people by the media. After the bombing of Dresden, Billy Space traveled to life after the war to hear a lieutenant commander speak: "The Americans had no choice but to keep fighting in Vietnam until they were victorious...intensify the bombing, if They stubbornly blew North Vietnam back to the Stone Age.” The Italian scholar Agamben began his thinking on the issue of alienation from the perspective of biopolitical criticism. His analysis of the nature of the Nazi massacre and the slaughter of life is a kind of “death politics”. This gave birth to the "death alienation" in modern democratic politics. Western developed countries headed by the United States have always advertised that they attach importance to "human rights". Agamben pointed out the relationship between totalitarianism represented by Nazism and modern democracy in World War II. Western "human rights" ignored the dimension of death. But the death dimension has important ethical value. "Human rights" include not only the right to life but also the right to die. If people are deprived of the right to die normally, it is the most fundamental alienation of human existence. In "Slaughterhouse No. 5", all kinds of deaths are full of chance and absurdity, and people completely lose the right to die normally. For example, civilians in the undefended city of Dresden were killed innocently; young soldiers were slaughtered by the bureaucratic government to take to the battlefield; Billy's wife died of carbon monoxide poisoning; He narrowly escaped the carpet-like bombing of Dresden, but was shot for taking a teapot while clearing the ruins to dig up the body; Weary was robbed of his shoes by the Germans and died of gangrene on his feet; even the protagonist Billy died. Killed by paranoid comrades after the war...
"Slaughterhouse Five"
Billy, who was listening to Nazi reports during the war, fell asleep and woke up in 1968. At the time, he was writing to the newspapers about his experience on Volkswagen 541. Then travel to his own peaceful and peaceful home on Volkswagen star 541 and beauty star Montana, where they are like the purest Adam and Eve, and the Garden of Eden is like a beautiful womb far away from war and technology.
Escape 2: Alienation between people
Alienation of man refers to the fact that man sees himself as an alien rather than the creator of his own behavior. Alienated people are as alienated from themselves as they are from others, unable to simultaneously have a clear and effective relationship with themselves or the external world. In a morbid society, where despair, depression, anxiety and numbness are everywhere, people are prone to feeling alienated.
Vonnegut explores the various specific causes of alienation among people, and he attributes the primary cause of alienation to war. After "World War II" Billy's life seemed peaceful, but in fact his mind was full of death and pain, and the shadow of death shrouded the post-war society. Billy's feet are depicted as "blue and white", the color of the feet of corpses on the battlefield. Billy lives in the Veterans Hospital and hides under a blanket when his mother visits him—an embarrassment to him because of her mother's painstaking efforts to give him life, and he has no attachment to it. For Billy, life is full of despair, so he refuses it like a mother who refuses to give it to him. Different life experiences and the mother's lack of perception of her son's inner pain have created an invisible spiritual barrier between them, which is doomed to lead to the failure of communication between mother and son. Memories of war catastrophes make Billy a marginal individual unlike others, and a deep sense of alienation makes him tired of those around him and despair about their way of life and values.